In this addition to the “Practices of Musicking” series, author Edda Starck explores the creation and acquisition of aural knowledge through listening-oriented practices. How do we come to both hear and think of the passing of time,Fca0784engaps829a Balson Famille Crest Coat of Arms Ouvre-Lettre and how can listening situate us to the rhythms that punctuate and proliferate our daily lives in a way in which we can hear how we and the objects that comprise our aural soundscapes pass+GF+ Fischer Signet 3-9010.390 Display for Flow Controlle NEW FACTORY SEALED BAG through time?

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Interested in joining or contributing to Soapbox? We invite you to an informal get together at Vox-Pop from 4.30pm on Tuesday 7th May,DETECTAMET, INC. 104-I04-C57-PA02 Detectble Pen W O Clip,Gr Ink,Yw Pr,PK50 where you can get to know more about us and learn how to get involved! Soapbox is a journal for cultural analysis run by and providing a platform for students, PhDs andWilson Jones 385-50W Heavy-Duty D-Ring View Binder w Extra-Durable Hinge 5

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As part of our series ‘Practices of Musicking’, Zeno Siemens attunes to the non-sonic forms of ‘singing’ exhibited by deaf performers in Christine Sun Kim’s ‘Face Opera II’. These embodied, visual and spatial acts of signing and facial expressions offer10PCS Box Kyocera CNC Blade VBGT110302R-F TN60 a musical experience accessible only through a non-aural, embodied practice of listening.

For the first piece in series ‘Practices of Musicking’, Suzi Asa attempts to understand her musical experience in Turkish taverns (‘meyhanes’)Audix SCX1-HC Studio Condenser Microphone through illustrations that she terms ‘meyhanescapes’. Exploring the extra-sonic, embodied aspects of this ‘musicking’ experience, her visualisations allow us to rethink the nature of music and musical perception as based in practice – and not merely as aural ‘practices of listening’.

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To welcome in the new year, Justine Gensse and Anouk Hoogendoorn offer an alternative to the self-improvement narratives of New Year’s resolutions. Garvey One-Line Pricemarker Labels, 7-16 X 13-16, White, 1200-roll, 16 Rolls-boxCollected from students of ‘Gender, Bodies and the Posthuman’ at the University of Amsterdam, these ‘Low-resolutions’ form part of the exhibition W_show, Pyle PDWM5500 4 Channel VHF Wireless Microphone​s & Receiver Microphone Systemwhich features work in progress from the University’s Master of Artistic Research.

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Kelly Klaver reports from Jack Halberstam’s keynote speech to the Global Critical Pedagogies Conference. Rejecting the “master’s tools”, Halberstam applied queer strategies of resistance to contemporary concerns, from Kavanaugh to gay marriage.

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NOTE – the deadline for ‘Off the Grid’-themed abstracts has now passed, but we are still accepting submissions of full papers (4,000-6,000 words) on any other topic. Please email Motgoldla 53724 Remote Speaker With Push-to-talk Microphone For Talkabout Radios Grids govern our landscapes and cityscapes,SCHNEEBERGER MNN12-G1 NEW MINIATURE GUIDEWAY WITH MN12 120-G1 RAIL MNN12G1 our paintings and grocery lists, our maps and our borders, both walled and imaginary. They get us our energy…


‘Intradisciplinary’ research group Forensic Architecture blur the boundaries between art, architecture, research and human rights in this exhibition, Fca0878engaps829a Nuage Famille Crest Coat of Arms Ouvre-LettreForensic Justice. Laura van den Bergh reports from its opening at BAK in Utrecht, Sennheiser EW D1-845S Evolution Wireless D1 Vocal System with E845 Mic OPEN BOXfinding hope in its interventions in ecocide and genocide.

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